Without imposing any values and drawing on illustrious examples from Hieronymus Bosch to John Heartfield and Banksy, Robert Smit takes you into a tunnel of contradictory meanings and bizarre facts. Thirty two of his unique diptychs are soon on display, firing uncomfortable ambiguity and unexpected interdependencies at the beholder.
Rob La Frenais, Independent curator and writer
Smit hoes, digs, and plants and mixes up our interpretations, horizontally and vertically. Together they provide a breeding ground for critical self-reflection as well as viewing pleasure.
Melvin Crone, Amsterdam School of the Arts
GRID is an impartial, accepting, descriptive collection of data from the world without the artist interpreting the meaning or judging the value of what it shows.
Terry Barrett, Art critic, and Professor Emeritus at The Ohio State University