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This guide focus is the slavery heritage of the Netherlands as a whole. All in all 100 locations are shown. This way the Guide shows how widespread the connectedness to slavery was. available April 8 2019
This book is published on the occasion of the exhibition Indisch Palet in the Westfries Museum Hoorn. With the exceptional Colauto-Van Peperstraten collection as the central focus, the book describes how a few pioneers were each touched in their own way by the East Indies paintings and built up a collection.
This atlas presents over hundred years of Ng’ambo’s history and urban development through maps, plans, surveys and images, and provides insights into its present-day cultural landscape through subjects such as architecture, toponymy, cultural activities, public recreation, places for social interaction, handcrafts and urban heritage.
This book is based upon a unique private collection of photographs and home movies of one Peranakan Chinese elite family, the Kwee family from Ciledug, owners of the sugar factory Djatipiring. It aims to bring the private lives of the modern Peranakan Chinese elite in colonial Java to the fore and asks to what extent ideas about progress, development and ‘the modern’ have affected their world-view and life-styles.
The book presents case descriptions, outcomes of collaborative action research and conceptual frameworks. The various chapters emerged from joint collaboration with activists, social entrepreneurs, social investors and development organisations in four continents: Africa, Asia, Europe and Latin America. With this book the editor and authors aim to contribute to the debate about strategies for global social justice.
Photographer Dennis A-Tjak has been making a name for himself as portraitist of old flower varieties from countries that the VOC traded with in the seventeenth and eighteenth century. What fascinates him in these varieties is that some of them have been there for centuries and have been passed on to us from generation to generation. A-Tjak has clearly developed his own style for photographing old flower varieties.
At the end of 1945, at the invitation of the doctor and artist Chris Engels, the Rotterdam-born artist Dolf Henkes boarded a boat to Curaçao. He took fifty paintings with him and made two important murals on the island, in the terminal building of Hato Airport and in the chapel of the Sint Elisabeth Hospital. In the summer of 1947 he travelled on to Mexico and New York.